After singing in Italy and at the Vatican, the JSerra Catholic High School Chamber Singers, under the direction of Mr. Brian Dehn, will travel with Incantato Tours to Spain and Portugal in 2014.
Showing posts with label Incantato Destinations. Show all posts
Showing posts with label Incantato Destinations. Show all posts
Huelva and its environs is a Mecca for those interested in Christopher Columbus, with a number of significant tourist attractions relating to the famous explorer. Cristóbal Colón (as he is known in Spain), is thought by most to have been born in Genoa, Italy around 1451. After years of seeking funding support for an expedition which was to find a sea route to Asia, Columbus finally came to an agreement with King Ferdinand and Queen Isabella of Spain. They would (along with a number of Italian financiers) back his expedition in return for dominion over the any new lands. Columbus would be awarded titles and, of course, a percentage of any fortune that was made. The rest, of course, is world history.
La Rábida, Palos de la Frontera and Moguer are three of the key sites in the Columbus story, which lie along the eastern bank of the Rio Tinto estuary and can be visited in a 40 km return trip from Huelva.
Palos de la Frontera is most famous for being the place from which Columbus set sail in 1492, eventually reaching America. On August 3, 1492, the Pinta, Niña, and Santa María sailed from Palos. On board were Christopher Columbus and the Pinzón Brothers, who were natives of Palos. The three ships landed in America on October 12, 1492. The Santa María foundered in American waters, but the other two ships returned to Palos on March 15, 1493.
Palos is also the site of the Rábida Monastery where Columbus consulted with the Franciscans about his plans for organizing an expedition of discovery, and it is where Columbus stayed between 1491-92 waiting for financial backing from the Catholic Monarchs, Ferdinand and Isabella, for his voyage to the New World.
Palos would play a pivotal role in the settlement and Christianization of the New World in succeeding centuries. As La Rábida was a Franciscan monastery, that order would play a dominant role in this Christianization, and some of the first missionaries were natives of Palos, including Juan Izquierdo, Juan de Palos, Juan Cerrado, Pedro Salvador, Alonso Vélez de Guevara, Juan Quintero, Thomás de Narváez, and Francisco Camacho. For more information you can check these links: http://www.spain.info/en/que-quieres/ciudades-pueblos/otros-destinos/palos_de_la_frontera.html http://www.red2000.com/spain/costa-de-la-luz/palos.html
Among the most important pilgrimages worldwide and along the history, the Way to Saint James runs through continents bringing pilgrims from all over the world to the site were Saint James Apostle lies buried.
Being almost the only possibility for pilgrimages in the times of the Crusaders in Jerusalem, and wars against the Papacy in Italy, Saint James of Compostela became a secure Pilgrimage were Catholics could cross the Door of the Forgiveness to be free from their mortal sins. Starting in the 9 century, but 11th century, the Way became central in the development of routes, commerce and religious artistic styles in Europe.
As Goethe said: “Europe was born from Pilgrimage”.
From Holy Land to England, from North Africa to Russia, literally millions of Catholics have used their feet, bicycle or horse to get the blessings and honor of entering the Cathedral of Saint James.
Numbers show off: more than 270,000 pilgrims in the year 2010, a “Xacobeo” Holy year in Santiago stated by John Paul II, and 179 thousands in 2011, from which more than 80% walk on their feet to arrive to the Apostle Cathedral. The distance walked daily averages 23 km/day (15 miles), and it reaches 40 km if on bicycle (25 miles/day).
John Paul II in His Pilgrimage in the Way of Saint James, wearing the pilgrimage symbols
Nevertheless the arrival to Santiago de Compostela, as traditionally said, is not the Way. The Way is a unique transforming experience that happens as pilgrims walk, share, breath, pray and make their own Way to Saint James. The importance of “making the Way” is above the end of it, as is reflected in the saying “Buen camino” (“good Way”) that can still be heard along its main stops in France and mainly in Spain.
Benedict XV in His Pilgrimage, at Santiago de Compostela.
There is many paths to Saint James Cathedral, but the most important one is the Royal Way of Saint James, running through the cities of Palencia, Burgos and Leon, and then already into the Galicia territory, the region in which the city of Santiago is the capital city.
The original and oldest one is of course the North Way, which starts in the city of Oviedo (due to its religious importance) and finishes in Santiago. This first Way was enlarged to the border with France, following parallel to the coast line: Vasque Country and Cantabria are part of it. This way was rerouted later to the Royal of French one to allow more pilgrims, as this North Way was very hard and tricky to walk in the middle ages.
Saint James as Pilgrim
The support of the Pilgrims was crucial for the spanish Christians, who were fighting against the Muslims sovereigns in the so-called Reconquest wars in Spain for 800 years. Saint James the Apostle, who was at those time considered to be leading the struggle of the Spaniards as “Santiago Matamoros” (Saint James the Moors killer) was a call for the pilgrimages to join the christian troops. Of course Saint James was also known and depicted as a pilgrim, as well as Apostle.
Whenever you come to Oviedo, in North Spain,
you will be delighted by its classical culture, gastronomy and beauty, and also
by the very important pre-romanesque complex that was built here as capital
stop for the pilgrims on their Way to Saint James, a most important pilgrimage
for Catholics during centuries in Europe. And you will also be visiting the Cathedral of
the Holy Saviour, in which the most
important relic is the HOLY SRHOUD OF OVIEDO: a piece of cloth measuring approximately 84 x 53 cm. There
is no image on this cloth. Only stains are visible to the naked eye, although
more is visible under the microscope. The remarkable thing about this cloth is
that both tradition and scientific studies claim that the cloth was used to
cover and clean the face of Jesus after the crucifixion.
Such a cloth is known to have existed from the
gospel of John, chapter 20, verses 6 and 7. "Simon Peter, following him,
also came up, went into the tomb, saw the linen cloth lying on the ground, and
also the cloth that had been over his head…" John clearly differentiates
between this smaller face cloth, the sudarium, and the larger linen that had
wrapped the body.
The history of the sudarium is well documented,
and much more straightforward than that of the Shroud. Most of the information
comes from the twelfth century bishop of Oviedo, Pelagius (or Pelayo), whose
historical works are the Book of the Testaments of Oviedo, and the Chronicon
Regum Legionensium.
According to this history, the sudarium was in
Palestine until shortly before the year 614, when Jerusalem was conquered by the
king of Persia. It was taken first to Alexandria, then across the north of
Africa. The sudarium entered Spain at Cartagena to Sevilla, and some years
later Saint Isidore took it to
Toledo. It stayed in Toledo until the year 718. It was then taken further north
to avoid destruction at the hands of the Muslims, who conquered the majority of
the Iberian peninsula at the beginning of the eighth century. In Oviedo King
Alfonso II had a special chapel built for the chest, called the "Cámara
Santa", (Holy Chamber) later incorporated into the cathedral.
The key date in the history of the sudarium is
the 14th March 1075, when the chest was officially opened in the presence of
King Alfonso VI, his sister Doña Urraca, and Rodrigo Díaz de Vivar, better
known as El Cid. A list was made of the relics that were in the chest, and
which included the sudarium. In the year 1113, the chest was covered with
silver plating, on which there is an inscription inviting all Christians to
venerate this relic which contains the holy blood. The sudarium has been kept
in the cathedral at Oviedo ever since.
ANALYSIS:
The stains on the sudarium show that when the
cloth was placed on the dead man's face, it was folded over, although not in
the middle. Counting both sides of the cloth, there is therefore a fourfold
stain in a logical order of decreasing intensity. From the composition of the main stains, it is
evident that the man whose face the sudarium covered died in an upright
position. The stains consist of one part blood and six parts fluid from a
pleural oedema. This liquid collects in the lungs when a crucified person dies
of asphyxiation, and if the body subsequently suffers jolting movements, can
come out through the nostrils. These are in fact the main stains visible on the
sudarium.
The cloth was not wrapped entirely round the
head because the right cheek was almost touching the right shoulder. This
suggests that the sudarium was put into place while the body was still on the
cross. The second stain was made about an hour later, when the body was taken
down. The third stain was made when the body was lifted from the ground about
forty five minutes later. The body was lying at the foot of the cross for about
forty-five minutes before being buried. The marks (not fingerprints) of the
fingers that held the cloth to the nose are also visible.
The experiments with the model head and the
study of the stains also show that when the man died his head was tilted
seventy degrees forward and twenty degrees to the right. This position further
suggests that the man whose face the sudarium covered died crucified.
There are smaller bloodstains at the side of
the main group. It would appear that the sudarium was pinned to the back of the
dead man's head, and that these spots of blood were from small sharp objects,
which would logically be the thorns that caused this type of injury all over
Jesus' head.
The medical studies are not the only ones that
have been carried out on the sudarium. Dr. Max Frei analysed pollen samples
taken from the cloth, and found species typical of Oviedo, Toledo, North Africa
and Jerusalem. This confirms the historical route described earlier. There was
nothing relating the cloth to Constantinople, France, Italy or any other
country in Europe. If you wish, you can watch this Spanish
multimedia presentation about :
An international congress was held in Oviedo in
1994, where various papers were presented about the sudarium. Dr. Frei's work
with pollen was confirmed, and enlarged on. Residues of what is most probably
myrrh and aloe have also been discovered, mentioned directly in the gospel of
john, 19:39-40, "Nicodemus came as well...and he brought a mixture of
myrrh and aloes...They took the body of Jesus and bound it in linen cloths with
the spices, following the Jewish burial custom."
The stains were also studied from the point of
view of anthropology. The conclusion was that the face that had been in contact
with the sudarium had typically Jewish features, a prominent nose and
pronounced cheekbones.
All the studies carried out so far point in one
direction, with nothing to suggest the contrary the sudarium was used to cover
the head of the dead body of Jesus of Nazareth from when he was taken down from
the cross until he was buried.
THE SHROUD OF TURIN
The sudarium alone has revealed sufficient
information to suggest that it was in contact with the face of Jesus after the
crucifixion. However, the really fascinating evidence comes to light when this
cloth is compared to the Shroud of Turin.
The studies on the sudarium and the comparison
of this cloth with the Shroud are just one of the many branches of science
which point to both having covered the dead body of Jesus. The history of the
Oviedo cloth is well documented, and the conclusions of this for the dating of
the Shroud need no further comment.
Zaragoza,
(Saragossa), founded by Caesar Augustus, was a capital city of the Roman Empire
in the territory of Hispania, roman name of Spain. St. James the Apostle came
to teach the Good News to the country, around 40 years after Christ. And he
came to Zaragoza. It is here, where the first Shrine to Our Lady has been ever
built.
This is the only apparition of Our Lady we have heard
of taking place prior to her Assumption. The year when this apparition occurred
was c. 40 or 41 AD.
For
twelve years before Our Lady’s Assumption into heaven the people of Spain were
venerating Our Lady as Our Lady of the Pillar.
According to Sr. Mary Agreda, Our Lady was 55 years of
age and living in Ephesus when this happened and she was 67 years when she was
Assumed into Heaven, as it is told in The City of God.
This is how it happened:
While Our Lady was living in Ephesus, before her
Assumption, Jesus appeared to her and asked her to go with the angels to see
St. James who was in Zaragoza at the time. She was to tell James that Jesus
wished him to return to Jerusalem to be martyred.
St. James
the Apostle was sitting here on the bank of the Ebro River, discouraged and
heartsick at his lack of success in bringing Christianity to the region. The
Virgin Mary appeared to him. She was atop a pillar of jasper carried by the
angels and she was holding a small wooden statue of herself.
Our Lady gave the message to St. James. She reassured him that his efforts
would not be in vain and asked him to consecrate a church in her name on the site where the apparition took place. She gave the pillar and image to James requesting that they were to be
used on the altar, to mark the spot where she had made her appearance.
Saint James
built a small chapel for her, which later was replaced with the Basilica on the
same spot. As Mary promised, St. James was indeed successful in bringing
Christianity to Spain, and the place of his encounter with the Virgin became a
holy place.
Mass began to be celebrated at the
little church and people began to venerate Our Lady through the image left
there by her and the angels. The little church, built 2000 years ago is
still the same. Only they soon began building a larger church over it to
accommodate the thousands that grew into millions of pilgrims that journey
there each year. It is an awesome sight to behold, and it does take your
breath away.
The
pillar that had been fashioned by the Angels is still there and has been
venerated and kissed by the faithful for almost 2000 years. When you
visit the Chapel of our lady of Pilar, you will see the tiny image resting on
the Pillar brought over by Mother Mary and the Angels. And if you go to
the back of the Chapel as our Blessed Pope John Paul II did, you too can kiss
the Pillar. Many other holy men and women came too... we will
tell you more soon.
Think about it! The people of Spain
were venerating the Mother of God under the title of Our Lady of the Pilar for
at least 12 years before She was Assumed into Heaven. And it happened in
Zaragoza, at the Basilica of Our Lady or the Pillar.
Vatican City, officially the State of the Vatican City, is a landlocked sovereign city-state whose territory consists of a walled enclave within the city of Rome, the capital city of Italy. It has an area of approximately 44 hectares, and a population of just over 800.
Vatican City is a city-state that came into existence in 1929. It is distinct from the Holy See, which dates back to early Christianity and is the main Episcopal see of 1.147 billion Latin and Eastern Catholic adherents around the globe. Ordinances of Vatican City are published in Italian; official documents of the Holy See are issued mainly in Latin. The two entities even have distinct passports: the Holy See, not being a country, only issues diplomatic and service passports; the state of Vatican City issues normal passports. In both cases the passports issued are very few.
Vatican City is an ecclesiastical or sacerdotal-monarchical state, ruled by the bishop of Rome - the Pope. The highest state functionaries are all Catholic clergymen of various nationalities. It is the sovereign territory of the Holy See (Sancta Sedes) and the location of the Pope's residence, referred to as the Apostolic Palace. The Popes have resided in the area that in 1929 became Vatican City since the return from Avignon in 1377.
Fonte Colombo is located around three miles away from Rieti in Umbria. The Franciscan Monastery there is known as the Sinai, where Saint Francis wrote the "Rule" of the Franciscan order. There you truly have a sense of walking in the steps of the Catholic friar and preacher. It marks the place where Saint Francis wrote the Later Rule of 1223, confirmed by Pope Honorius III on 29 November. The name Fonte Colombo derives from the Latin "fons columbarum" (the fountain of doves). Fonte Colombo was consecrated in 1450 by Cardinal Nicolò di Cusa. It is dedicated to St. Francis and St. Bernardine of Siena. The JSerra Catholic HS Chamber Choir is presenting a unique concert here today at 5 pm for the few Franciscan Friars that remain at Fonte Colombo.
The Theatre Flavio Vespasiano is the main theater of Rieti, a town in the commune of Lazio in central Italy. The current structure dates back to December of 1883 but was not officially inaugurated until September 20, 1893, featuring productions of Goethe’s Faust and Pietro Mascagni’s Cavalleria Rusticana. The theater, named for the Roman Emperor Vespasian, required ten years of construction under the direction of Milanese architect Achille Sfondrini.The theater underwent complete restoration from 2005 through 2009. A grand re-opening celebration commenced on January 10, 2009 featuring conductor Marcello Rota, and soloists Karina Grigoryan, Jessica Pratt, Anna Gorayacheva, and Roman Burdenko. The Secretary to the Prime Minister as well as Senator Franco Marini were in attendance. The restoration efforts totaled more than 3.3 million Euro.
The reopening of the theater also fostered the formation of the Flavius Vespasian Foundation, aiming to promote international artistry and music. The Rieti Theatre also annually hosts the Rieti Dance Festival, the International Competition for the New Opera Voices of Mattia Battistini, and the National Competition for Young Actors. The theatre is well known for its excellent acoustics, a characteristic that earned the structure the very first National Award for the Acoustics. In referring to the acoustics, Professor Bruno Cagli, president of the National Academy of Saint Cecilia, once called the theatre “the world’s best in that respect”.
Assisi is a town and comune of Italy in province of Perugia, in the Umbria region and on the western flank of Monte Subasio. It was the birthplace of St. Francis, who founded the Franciscan religious order in the town in 1208, and St. Clare (Chiara d'Offreducci), the founder of the Poor Clares. Saint Gabriel of Our Lady of Sorrows of the 19th century was also born in Assisi.
The Basilica of San Francesco d'Assisi (St. Francis) is a World Heritage Site. The Franciscan monastery, il Sacro Convento, and the lower and upper church of St Francis were begun immediately after his canonization in 1228, and completed in 1253. The lower church has frescos by renowned late-medieval artists Cimabue and Giotto; in the upper church are frescos of scenes in the life of St. Francis previously ascribed to Giotto and now thought to be by artists of the circle of Pietro Cavallini of Rome.
Tuscany is a region in Central Italy. It has an area of 22,990 square kilometres (8,880 sq mi) and a population of about 3.6 million inhabitants. The regional capital is Florence.
Tuscany is known for its beautiful landscapes, its rich artistic legacy and vast influence on high culture. Tuscany is widely regarded as the true birthplace of the Italian Renaissance, and has been home to some of the most influential people in history, such as Petrarch, Dante, Botticelli, Michelangelo, Leonardo da Vinci, Galileo Galilei, Amerigo Vespucci and Puccini. Due to this, the region has several museums, most of which (such as the Uffizi and the Pitti Palace) are found in Florence, but others in towns and smaller villages. Tuscany has a unique culinary tradition, and is famous for its wines (most famous of which are Chianti, Vino Nobile di Montepulciano, Morellino di Scansano and Brunello di Montalcino). Six Tuscan localities have been designated World Heritage Sites: the historical center of Florence (1982), the historical center of Siena (1995), the square of the Cathedral of Pisa (1987), the historical center of San Gimignano (1990), the historical center of Pienza (1996) and the Val d'Orcia (2004). Furthermore, Tuscany has over 120 protected nature reserves. This makes Tuscany and its capital city Florence very popular tourist destinations, attracting millions of tourists every year. Florence itself receives an average of 10 million tourists a year by placing the city as one of the most visited in the world.
The Art Monastery Project, founded in 2007, is a community of artists dedicated to fostering creativity through commitment to a disciplined, contemplative, and sustainable monastic lifestyle.
Established by American, San Francisco-based artists Betsy McCall and Christopher Fülling, the project works to transform an historic Italian monastery into an international arts production center. The project investigates what the Art Monks refer to as “social sculpture,” developing a diverse variety of visual and performance art in a manner which focuses just as much on the creative process as the final product.
In striving to meld historical tradition with contemporary culture, the Art Monastery presents on-site exhibitions and performances as well as collaborations with the surrounding communities. However, work created within the monastery premieres locally before ever touring internationally.
Previously located in the small Italian town of Calvi dell’Umbria, the Art Monastery relocated to the hilltop town of Labro, approximately seventy minutes north east of Rome. The San Antonio monastery, a former 17th century Franciscan abbey, now serves as the official home of the Art Monastery Project. The site holds a state-of-the-art 150 seat theater for performances and exhibits. Hotel Colle di Costa and Ristorante Ulisse are also located within the structure.
A radical contemporary experiment in “social sculpture,” the Art Monastery is “ready to indulge visitors without hesitation…”
In addition to Labro, the Art Monastery hosts chapters in Los Angeles, Santa Barbara, San Francisco, Portland, Seattle, Reno, Bloomington, Chicago, Buffalo, and New York City.
The Catacombs of Rome are ancient catacombs, or underground burial places under or near the city, of which there are at least forty, some discovered only in recent decades. Though most famous for Christian burials, they include pagan and Jewish burials, either in separate catacombs or mixed together. They began in the 2nd century, as much as a response to overcrowding and shortage of land as they were to satisfy the need for persecuted Christians to bury their dead secretly. The soft volcanic tufo rock under Rome is highly suitable for tunnelling, as it is softer when first exposed to air, hardening afterwards. Many have kilometres of tunnels, in up to four stories (or layers). The large and impressive Catacombs of Domitilla(named after Saint Domitilla) spread over 15 kilometers (9,3 miles) of underground caves. The Domitilla Catacombs are unique in that they are the oldest of Rome's underground burial networks, and the only ones to still contain bones. They are also the best preserved and one of the most extensive of all the catacombs. Included in their passages are a 2nd-century fresco of the Last Supper and other valuable artifacts. They are the only catacombs that have a subterranean basilica; entrance to the catacombs is achieved through this sunken 4th-century church, at via delle Sette Chiese 280. In the past, the basilica had become unsafe, and was abandoned in the 9th century. It was rediscovered in 1593, and much of it was reconstructed in 1870. In the beginning of 2009, at the request of the Vatican, the Divine Word Missionaries, a Roman Catholic Society of priests and Brothers, assumed responsibility as administrator of St. Domitilla Catacombs.
Florence is the most populous city in Tuscany, with 367,569 inhabitants.
A centre of medieval European trade and finance and one of the richest and wealthiest cities of the time, Florence is often considered the birthplace of the Italian Renaissance; in fact, it has been called the Athens of the Middle Ages.
The historic centre of Florence attracts millions of tourists each year and was declared a World Heritage Site by UNESCO in 1982.
It has been the birthplace or chosen home of many notable historical figures, such as Dante, Botticelli, Michelangelo, Galileo Galilei, Roberto Cavalli and Emilio Pucci.
Florence being historically the first home of Italian fashion is also home to the legendary Italian fashion establishment Salvatore Ferragamo, notable as one of the oldest and most famous Italian fashion houses.
Florence has been a setting for numerous works of fiction and movies, including the novels and associated films, such as "Hannibal", "A Room with a View", "Tea with Mussolini" and "Virgin Territory".
The city is one of the great wine-growing regions in the world. The Chianti region is just south of the city, and its Sangiovese grapes figure prominently not only in its Chianti Classico wines but also in many of the more recently developed Supertuscan blends.
The JSerra Catholic High School Chamber Singers Performance Tour has the option to visit Pisa on Monday, April 4, 2011. Read on to learn more about this exciting destination:
The present inclination of the Leaning Tower, Pisas most important sight, is measured to be about 10 percent. The reason behind the inclination still remains a mystery. However, it is believed that the tilt was due to the subsidence of the foundation soil, which was a mixture of varied deposits and clayish material.
Pisa was the birthplace of the important early physicist, Galileo Galilei.
Pisa's origins remained unknown for centuries. The presence of an Etruscan (civilization of ancient Italy) necropolis (large cemetery), discovered during excavations in the Arena Garibald (mulit-use stadium) in 1991, allowed to clarify its Etruscan origins.
The city has two sister-cities in the USA: Niles, Illinois, and Coral Gables, Florida.
Football is the main sport in Pisa; the local team, Pisa Calcio, currently plays in the Italian Series B (second-highest division), and has had a top flight history throughout the 1980s and the 1990s, featuring several world class players such as Diego Simeone, Christian Vieri, and Dunga.
Pisa is also known for its excellent university, which was established in 1343 and has become one of Italy's top schools.
Rome's early history is shrouded in legend. According to Roman tradition, the city was founded by the twins Romulus and Remus on 21 April 753 BC.
Due to this centrality on many levels, the city has been nicknamed "Caput Mundi" (Latin for "Capital of the World") and "The Eternal City".
Its rich artistic heritage and vast amount of ancient, notably architectural and archaeological sites, contribute to the city's UNESCO World Heritage Sites.
Rome is the third-most-visited tourist destination in the European Union.
The city is also an important worldwide hub of the cinematic and filming industry, home to the important and large Cinecittà Studios, which saw the filming of several internationally acclaimed movies as well as television programmes.
The Rome metropolitan area has a GDP of €109.4 billion (US$ 149.14), and according to a 2008 study, the city is the world's 35th richest city by purchasing power.
The city hosted the 1960 Olympic Games and is also an official candidate for the 2020 Olympic Games.
Rome is an important centre for music, and it has an intense musical scene, including several prestigious music conservatories and theatres. It hosts the Accademia Nazionale di Santa Cecilia (founded in 1585), for which new concert halls have been built in the new Parco della Musica, one of the largest musical venues in the world.
A Jewish influence in the Italian dishes can be seen, as Jews have lived in Rome since the 1st century BCE. Examples of these include "Saltimbocca alla Romana" - a veal cutlet, Roman-style; topped with raw ham and sage and simmered with white wine and butter - and "Carciofi alla giudia" - artichokes fried in olive oil, typical of Roman Jewish cooking.
“Dear Incantato, As you know, I’ve had the pleasure of being on five of your tours. Just when I think you can’t possibly top the previous tour, you do. Your attention to detail is remarkable. From departure to return everything is superbly planned – air and ground transportation, top-notch accommodations, food and most importantly, premier performance venues. You definitely deliver on your “boutique” commitment. As an educator, the most important aspect of an international tour is that my students return having had a life-changing experience. This has been the outcome every time I’ve been with your company. Equally important to me is that my guests also have an experience of a lifetime. Not only do you deliver on your commitment to making their experience extra special, you take extra care in understanding their individual needs. My guests rang my phone off the hook when we returned from Eastern Europe last year (yes, they still use phones!). To your potential clients who might read this, I want them to know that if they’ve ever considered taking an instrumental ensemble on an international tour, they’d be missing out on a fabulous opportunity if they didn’t contact Incantato to discuss the possibilities. My last two tours with Incantato included a choir and jazz ensemble. The sacred performance venues for the choir were everything history books have written about. The jazz venues were outstanding – some of the premier jazz clubs in Europe! The level of performance that my students rose to was off the charts – additional validation of my commitment to education and proof that an experience like this is a major game changer to every student musician. This combination tour was in many ways better than just a choir tour or just a jazz tour. It offered a lot of variety to display the diversity of our music department and provided the students a unique peer-to-peer support system, by being both performers and audience members. You did it again!!!” Richard Burchard, Composer (Gentry Music, Pavane Publishing, National Music Publishers, Hinshaw Music) and Educator (Bellarmine University, Louisville, KY)
“The trip was everything I hoped for and more. Everything promised was delivered. I realize that this tour gave you a number of challenges due to the low number of participants, but you always seemed to find a way to make things happen. I appreciate the positive ‘Can Do’ attitude. You showed what a tour company can do when it really cares about the quality of the performing venues and comfort and satisfaction of its clients.” Bruce Koliha, BelCanto Choir, Performance Tour to Central Europe 2010
“Our tour with Incatanto was unforgettable. They were able to not only secure for us the most popular and magnificent venues but also the hidden gems and special places only a company with passion and dedication can find. My Women’s Ensemble and Handbells (and even the parents) are still talking about the trip and all the wonderful memories. It has invigorated my program and I am deeply proud to have done business with Sandra and the entire team at Incantato.” Brian Dehn, Cornelia Connelly, Performance Tour to England and Ireland 2010
“Once again, thanks to you and all the Incantato team for the great tour you arranged for CIC this summer. I truly feel that Incantato delivered a lot for our money on this trip. All of the hotels were nice ones with good locations. What a great idea to give us a night in Vienna near the Prater! And the concert venues were varied and all beautiful. The dinner cruise on our last night was magical and we enjoyed the food, the company, and the views. Thanks for making this a part of our tour. You are so skillful in finding the unique, off the beaten path, towns and villages. These are some of the best memories.” Sue Klausmeyer, Carolina International Chorale, Performance Tour to Central Europe Summer 2010
"Dear Incantato-Team, the Choir of the Sound and I want to thank you for all you did to make our tour to Northern Italy so incredible. I’ve worked with many other tour companies, but this trip exceeded even my most optimistic expectations. The singers will remember their time in Italy the rest of their lives. To have had the opportunity to perform in those amazing cathedrals with large appreciative audiences was truly memorable. In reflecting on our trip this year, I realized that past tours that I had considered successful fell short when compared to the trip that you put together for us. Incantato provided a consistently high level of organization and personal attention both during the planning stages and on the trip. Other exceptional aspects of the tour were: - The right amount and high quality of the performances. Our concerts and masses were wonderful. - Outstanding tour managers that were a wonderful combination of knowledgeable, flexible, personable and fun! - Beautiful posters and flyers as well as superb advertising of the concerts that resulted in large audiences - Excellent pacing of the tour—thanks for anticipating when we would need some time to recover - The included activities were interesting and created a change of pace for the singers - Great meals, consistently. My vegetarians were very pleased also. - The choir manager and I are very appreciative of your personal attention to our questions during the planning stages of the trip. - Terrific bus drivers who made us feel safe and who enjoyed the group It was a pleasure to work with everyone at your organization and I would be happy to share my experience with Incantato with other potential clients." Judy Filibeck, Director "Choir of the Sound", Seattle, WA
"Having recently returned from a successful tour of Ireland, I can say without a doubt that this was my finest tour experience. I have used several different tours companies in my years of performance tours, and none have matched the attention to detail, the thoughtful planning, excellent venues & marketing, meal & hotels, and overall management by Incantato Tours. Their pricing was excellent, and when the US currency dropped, they did not raise any of our cost. I would recommend this company to anyone planning a tour, whether they are a large professional ensemble, or a small church choir." Nathan J. Kreitzer - Director of Choral Activities Santa Barbara City College, CA
"It was a true pleasure working with Sandra and Incantato on our Italy Tour 2008. She is very detail oriented and surpassed many of our expectations. I would recommend Incantato to anyone planning a concert or performance tour." Rick Christophersen, Director Conservatory of Music at Chapman University, Orange, CA
“My sincerest and deepest thanks to you and all your staff for making this tour for the Quire of Voyces our very best yet! Your attention to every detail, special offerings each day, fine accommodations and outstanding tour guides all made for a very gratifying experience for all of us.” Susan Kuehn, Quire of Voyces Performance Tour to Italy, June 2010 "I have only wonderful things to say about Incantato Tours! The UGA Chamber Choir traveled to Italy in 2009. From the marvelous concert venues to the excellently managed tour, this was really a dream trip. The highly professional and expert Incantato tour manager who was with us throughout the entire trip, the fantastic bus drivers, and the knowledgeable city tour guides all helped to make the tour run exceptionally smoothly. Probably most important was that this entire trip was really a specialty tour designed especially for this particular choral group. Incantato Tours made it possible for us to sing in some very remarkable places, including the Sistine Chapel. Planning a tour takes incredible dedication and Incantato Tours would definitely be my choice again!" Dr. Martha Thomas, UGA School of Music, Athens, GA
“We had the wonderful opportunity to go to Spain, sing in great venues, experience an amazing culture, and eat great food. There is always a special element of magic that happens with Incantato Tours.” Andrew Crane, Director of Choral and Vocal Activities, California State University, San Bernardino;Performance Tour to Spain, June 2010 “Incantato Tours has created the most musically satisfying tour we have ever taken. For the singers touring is about the music in the wonderful cathedrals and the exchanges with the local kids. A toast to Incantato for fulfilling your dream, and for making so many people so happy - now and in the future.” Arlene Jacobs, SCS Touring Choir, Akron, OH
“Incantanto facilitated maximum educational, religious, and just plain fun experiences among youth and adults alike.” Ed Bettendorf, Western Reserve Academy, Performance Tour to Italy March 2010
"There are at least four essential ingredients for a successful and rewarding concert tour for young people and their sponsors —appropriate concert settings, advance publicity, opportunities for learning about the areas visited (including exchanges with the local youth), and good logistical planning. The recent tour of the Akron, Ohio Summit Children's Touring Choir through Germany, the Czech Republic and Austria was successful indeed. The venues were most impressive and beautiful. The publicity produced large responsive and appreciative crowds as well as mayor’s receptions with recital opportunities at city halls. The knowledgeable tour guides and the visits with local youth and choirs provided an experience for the choir members that will not be soon forgotten. The schedule for travel, meals, concerts and touring were planed and flexible enough to accommodate for unexpected delays without loss of any scheduled tour, exchange or concert. Finally, a "shadow tour" of parents and sponsors was also a success and allowed those who wished to do so to attend every reception, recital and concert while being guided on a separate tour, well planned and executed. As one who worked with Sandra Weinacht and her staff at Incantato I can assure you it would not have been such a success without their planning and execution of our tour. They are to be commended and I would highly recommend Incantato Tours to anyone considering a group tour, especially a performance tour. C.A. Ridge Jr., A Summit Choral Society Sponsor
“Incantato Tours impresses me because their clients come first. Their advantage lies in the selection of venues, impressive itineraries and the ability to tend to details.” Dr. Gary L. Unruh, Professor Emeritus, CSU Fresno
“I can't speak highly enough about Incantato Tours. They were with us every step of the way, tailoring a tour that was perfect for our wants, needs and budget. I would recommend Incantato to anyone serious about a choir tour, especially if you want a tour that provides wonderful indelible memories of the best that a tour can be.” Stan DeWitt, Minister of Music, Grace First Presbyterian Church, Long Beach, CA; Performance Tour to Ireland, April 2010
"Of the eight international tours I've taken as both singer and conductor, last summer's CSULB tour to Naples, Rome, Florence and the Amalfi Coast with Incantato was the best organized and the most fun. Our tour manager and guides were professional, wonderful teachers, and our venues were beautiful. We saw stunning posters for our events everywhere we walked. The marketing for our concerts was incredible! Our audiences were huge and exuberant, and Incantato made all the pieces fell into place beautifully. Thank you Incantato Tours for the personal attention, for the flexibility that allowed us to choose exactly where we wanted to go and what we wanted to see. We're already planning for 2010." Dr. Jonathan Talberg - Director of Choral, Vocal, and Opera Studies, Bob Cole Conservatory of Music, California State University, Long Beach
"Canticum Novum, The tour choir of Central Church in Phoenix just completed its most successful tour in 35 years of concertizing abroad, solely due to the excellent management of Incantato. Their attention to every detail, response to every request, superb International Staff, and excellence in concert management are singularly distinctive. Theirs is a professional concert management group who are also excellent providers of travel services. That is a distinctive difference. Travel agents are for travel; Incantato provides concert management in stunning venues, and the organizational minutia supporting these artistic events in addition to fine-tuned travel experiences filled with special amenities. If music making in superb acoustical spaces to wonderfully receptive audiences is your priority, Incantato is the professional tour group for your ensemble." Donald. E. Morse, Central United Methodist Church, Phoenix, AZ
"The San Marino Chamber Singers have been very fortunate to travel several times already with the director of Incantato Tours, Ms. Sandra Weinacht. She was our personal tour and concert manager when we traveled to Italy in 2005 and then designed, organized and oversaw our tour to Central Europe in 2007. It was another huge success. Aside from selecting and working with prime venues only, Ms. Weinacht's staff also put in great time and effort in promoting our concerts through beautiful designed and professionally printed concert posters and cards. Incantato's marketing of our performances became highly visible to the public and contributed to the success of every concert. I have been more than impressed with their professionalism and highly recommend Incantato Tours to everyone. They definitely cater to each choir member's personal needs and watch every detail. The hotels were carefully selected, the meals were beyond our expectation. If there were ever any problems, they were dealt with beautifully and professionally on the spot. We were very impressed with how well the whole tour was executed. The next time we go back to Europe, it will be with Incantato Tours." Howard Cheung, San Marino Chamber Choir, CA
"Well, you did it. I don't know how, but you did it! You accepted the challenge, and performed a small miracle. My hat is off to you and Ted for creating what is, for me, the most musically satisfying tour we have taken. All of the kids who have been on the three tours (Italy, China, and Europe) agreed, hands down, that this was the best ever. For them it's about the music in the wonderful cathedrals and the exchanges with the local kids. In festival-type situations they are not really "up close and personal" with other kids - they're mostly rehearsing. At any rate, a toast to Incantato, to you and Ted for fulfilling your dream, and for making so many people so happy - now and in the future. Thank you!" Arlene Jacobs, Artistic Director, Summit Children’s Touring Choir and Co-Founder of the Summit Choral Society (SCS)
"Incantato stresses the small town experience as well as the traditional larger cities, but it wasn't until I looked out on the valley and town of Salice Terme spread out below us as we enjoyed a wonderful home-cooked Italian meal that I truly understood or appreciated that element. At that moment, "Italy" became much more than a series of famous cities to check off my list; it became a real world, a place of rolling hills as well as marble cathedrals, time-honored traditions and modern technology. A true mix of culture and heritage unknown and unappreciated by those in the United States --- until you arrive! The experience we had of singing in the Sistine Chapel is absolutely indescribable, yet I must try. It's been almost three months since the last note of Gregorio Allegri's Miserere echoed off Botticelli's walls and Michelangelo's awesome ceiling, but to the choir it is still as vivid a memory as if we sang there last night. I can't thank Sandra and the Incantato Team enough for arranging such a poignant moment" David Okun, student at UGA Hugh Hodgson School of Music, Athens, GA
